We will make everything metal. The heavy metal musicians command an exceptionally and often psychotically loyal fanbase, and the group’s immense wealth has turned the Five-Man Band into the world’s seventh-largest economy right above Belgium — but their success could become a harbinger of global doom An animated series from the mind behind Home Movies , Metalocalypse focuses on the adventures mundane or otherwise of the five members of death metal band Dethklok: Hell, they can’t even get grocery shopping right. The five generally leave most of their business and legal affairs in the hands of their longtime manager, CFO Charles Foster Offdensen. Once Dethklok gets on stage, however, they put on a hell of a show — one which may or may not result in the violent deaths of their fans and other innocent victims, as the group tends to leave a trail of death and destruction anywhere they travel. Dethklok even requires fans who attend concerts to sign “pain waivers” that absolve the band of legal liability for these occurrences.
Marshall Vintage …
VHR is a good retail outlet for these. Hammond is now making output transformers with normal secondaries! Their model TA is good for a watt and KA for a 50 watt.
Josh had used a Marshall JCM watt head dating back to on Kyuss’ classic album “Blues for the Red Sun”. It was used in conjunction with a Ampeg 8×10 cabinet or a pair of Ampeg guitar cabinets later on during the recording of “Welcome to Sky Valley” in June of
Amplifier Features , Amplifiers celestion , g , g12h , g12m , g12t , greenback , vintage 30 David Szabados The old adage, “a chain is only as strong as its weakest link” can definitely be applied to the topic of speakers. Worn or mismatched speakers in wattage or impedance ohms are one thing, but different speaker designs also provide dramatic changes in tone and response for guitarists. And this is an area that is all too often neglected. Ask many guitarists, “What speakers do you use? Many of our reader questions become the basis of new articles written and this is certainly an example of one of those.
These topic areas can be discussed in simple terms or they can be more scientific when one chooses to dig deeper. There are also a plethora of other topic areas that we could cover in the future that go into depth about calculation of speaker and cabinet design, magnet types, cones, and how they each impact tone.
But, for the sake of this primer, lets first offer a rundown of the most well known Celestion speakers that have each contributed to make up “The British Sound” over the years. This will be a general guide because even within each speaker type listed, there are various changes that have been made throughout its life. Sometimes changes were made for reasons of durability, sometimes for cost-considerations, and other times for both reasons.
Regardless of these factors, while a G12M 25 watter from these two eras for example will sound different, they still inherently contain the basic characteristic tones and voicing of a G12M. And THAT basic tone character is what this article will describe from each of the various speakers. What we are interested in is comparing and contrasting the following Celestion speakers used in Marshalls at various times:
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From until Marshall amplifiers were identified by a four-digit sequential number inside the back panel, reportedly starting with in and reaching at the beginning of While there are serial-like numbers during this era, no standard serial number format has been identified. The model numbers can be somewhat confusing because model numbers such as or can be mistakenly interpreted as the production year of the amplifier.
Amplifiers from this era must be dated within this time span based on their features, or component manufacturers and codes, including speakers, potentiometers and transformers. JTM block logos changed to gold-plated plastic script, these are fragile and many have been replaced. Cabinet feet are small round and gray. Handles changed to plastic with larger end cap.
Power tubes are KT66, 6L6 and Single W Drake transformer, rated at ohms, part number , for W models. Single 50W Drake output transformers rated at 3, ohms, part number , for 50W models.
I. The 20th Century and Works Covering More Than One of Divisions II–V
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I was looking for a pure Marshall tone, like I had back in the early nineties with my JCM , the only problem was I had a fender Twin to play through.
There’s a book on guitar identification and serial numbers. You can find it here http: Hi, I just received an RG as a birthday gift. It is my first electric guitar, let alone one with a Floyd Rose locking system. I have no idea how to tune it and the manual is useless. I do know this, when changing the strings, in the RG I don’t have to slice the balls off their ends.
Thank you very much. I just received an RG as a birthday gift. I’m glad you’re not going to be chopping the balls off anything. I imagine someone else will post you a more useful reply – as I haven’t owned a guitar with a locking trem – but I’ll give it a go. Part of the difficulty is that the trem is balanced with springs, so that when you tighten one string the others all go out of tune slightly as the springs adjust.
Dating a JCM 900 1960A
April 5, was an American musician who served as lead singer, guitarist, and songwriter for the Seattle-based grunge band Nirvana. With the lead single “Smells Like Teen Spirit” from Nirvana’s second album Nevermind , Cobain with Nirvana entered into the mainstream, bringing along with them a subgenre of alternative rock called grunge. Other Seattle grunge bands such as Alice in Chains, Pearl Jam, and Soundgarden also gained popularity, and, as a result, alternative rock became a dominant genre on radio and music television in the United States during the early-to-middle s.
As Nirvana’s frontman, Cobain found himself referred to in the media as the “spokesman of a generation”, with Nirvana the “flagship band” of “Generation X”. Cobain was uncomfortable with the attention and placed his focus on his band’s music, challenging his band’s audience with its third studio album In Utero
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I wait for you answer. Kostas looking for decent used bass guitar I’m a guitar player who needs to buy a decent bass to play when the real bass player doesn’t show up. I would go for the Fender Jazz. For your situation the Mexi would do just fine, it is pretty similar to the Americans as far as playability and tone. Of coarse the Americans are best but for the money, you can’t beat the Mexi Jazz.
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If you’re stepping up to your first Marshall, then this new DSL won’t disappoint. Pros Great overdrive sounds, particularly for metal tones. Cons A little muddy wound up – pity the emulated line-out has gone, as has the effects loop. The great man may have gone, but his legacy in rock ‘n’ roll continues loud and proud. Over the past year or two, we’ve seen not one, but three massive signature amps – for Slash, Yngwie Malmsteen and Joe Satriani – and now Marshall has turned its attention to an amp range that for many years has been the cornerstone of the company’s catalogue: Dating back to the late s, the DSLs have been in production ever since, and many people see them as the spiritual successors to the JCM and ranges that did so much to define modern rock-guitar tone.
Well, here it is, and we’re reviewing the revamped watt combo from the new range: Cracking open the box, it’s no surprise that the amp draws heavily from the iconic Marshall style; an oversized cabinet, black vinyl, black grille, gold panel, white piping and, of course, the familiar white script logo are all present. The generous cabinet dimensions contribute to a somewhat larger-than-life presence, but the proportions are solid and balanced.
Viewed close up, there are some subtle styling changes compared to the old DSLs. The vinyl seems thinner and shinier than normal, the anodised gold panel has a smoother, more reflective sheen, and screws have replaced the gold studs that secure the corner protectors.